WHISPERS -- Stuart David Schiff, editor

Doubleday & Company -- hc
New York -- ©1977 -- 226pp
ISBN: 0-385-12568-2
illustrations by: Stephen Fabian, Lee Brown Coye, Mike Garcia, Tim Kirk, Frank Utpatel, George Barr

A collection of short stories, most of which appeared in the magazine, Whispers.

"Sticks" - Karl Edward Wagner
"The Barrow Troll" - David Drake
"The Glove" - Fritz Leiber
"The Closer of the Way" - Robert Bloch
"Dark Winner" - William F. Nolan
"Ladies in Waiting" - Hugh B. Cave
"White Moon Rising" - Dennis Etchison
"Graduation" - Richard Christian Matheson
"Mirror, Mirror" - Ray Russell
"The House of Cthulhu" - Brian Lumley
"Antiquities" - John Crowley
"A Weather Report From the Top of the Stairs" - James Sallis and David Lunde
"The Scallion Stone" - Basil A. Smith
"The Inglorious Rise of the Catsmeat Man" - Robin Smyth
"The Pawnshop" - Charles E. Fritch
"Le Miroir" - Robert Aickman
"The Willow Platform" - Joseph Payne Brennan
"The Dakwa" - Manly Wade Wellman
"Goat" - David Campton
"The Chimney" - Ramsey Campbell

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It's been a while since I read a collection of horror tales, and this was a nice sampling. Standouts, for me, were David Campton's "Goat," and Fritch's "The Pawnshop" and Wagner's "Sticks." Each of them seemed the most compelling, realistic, and horrific in their own way. Robin Smyth's "...Catsmeat Man" was also quite intriquing. Seemed like it could have been the impetus for "Sweeny Todd" but I suppose the idea of a butcher cutting up people has been around for a long time.

None of the stories were horrible, which shows that Schiff has done a good job of putting together this collection.

"Weather Report from the Top of The Stairs" was my least favorite in this collection. The story, written, based on a cartoon by Gahan Wilson, included two endings...the original by the authors and a rewrite (change of maybe two words?) at the request of the editor and cartoonist. Even with the variation, it lacked the meat that Wilson's fabulous cartoons manage to have.

A fun trip into the speculative/horror world.

GRAVITY BUSTER: JOURNAL#2 OF A CARDBOARD GENIUS -- Frank Asch

Kids Can Press -- hc
Tonawanda, NY -- ©2007 -- 143pp
ISBN: 1-55453-068-7

A young boy plans to pilot his cardboard spaceship to the stars, with his favorite female friend as a co-pilot, but first he must over-come his younger brother's nuisances.

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This looked like a book that my son might like, so I checked it out from the library and gave it a quick read.

I liked the idea, but not the execution.

A young boy-inventor, creating great magical (scientific) devices from ordinary household items, including cardboard boxes, is genius. What boy hasn't done this?! But there was too much focus on the sibling relationship and the hope of getting the girl ... a friend, not a girl-friend! ... to join him.

For such a short, quick book (144 pages, but large type and plenty of illustrations) it tried to do too much.

My son said it was "okay" and I agree.

ABSURDISTAN - Gary Shteyngart

Random House -- tpb
New York -- ©2006 -- 333pp
ISBN: 978-0-8129-7

An obese Russian Jew looks for love and happiness in a world mostly set against him.

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According to the New York Times, this is one of the ten best books of the year. What a sad year for literature was 2007!

I wanted very much to like this, and there were moments when I smiled at a phrase or passage or even a bit of biting satire, but over-all this was nothing more than literary masturbation ... an author trying to show off how clever he is rather than actually engaging a reader in a story. And, quite frankly, the story doesn't even begin until nearly a third of the way into the book.

I'm no prude when it comes to literature, but I definitely didn't need so much of the obese man's sex life told to me so often and in such detail. Is it funny, once, that such a fat man describes his trials at love-making? Maybe. Is it funny that we have to revisit that over and over? No.

I loved the idea of a country, Absurdisvani, with no more oil and over-looked by the U.S., throwing the wool over Hallibutron's eyes and lying about their oil reserves. This is the story. This is what could have been a great satirical novel. Even focusing on a single individual such as the obese Misha Vainberg, the son of a Russian Jew, could have worked, but it wasn't the story of Absurdistan, it was the story of an obese, spoiled, rich, Russian Jew looking for some meaning in his life. I guess I should have known (remembered) that when the first sentence of the prologue reads, "This is a book about love."

I never cared about Misha, and thus I never cared about his life.

TRAVESTIES - Tom Stoppard

Grove Press - tpb
New York - 1975 - 71pp
ISBN: 0-8021-5089-6
two act play

The fantastical meeting of James Joyce, Dadist founder Tristan Tzara, and Lenin as only someone like Tom Stoppard can tell it.

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This is a moderately difficult book to read, but as is the case with a play, it is meant to be seen, not necessarily just read.

I had to work very hard at visualizing this, putting myself in the roles of both audience member and director. When I was able to do that (I wasn't always consistent with this) I found that I greatly enjoyed the interaction between the characters.

I'm not at all familiar with the works of James Joyce (or Lenin or Tristan Tzara for that matter), but I liked the character as presented and would assume this to be an enjoyable role for a performer and a delight to watch.

I don't recommend this as a book to read, but a good production would likely be a real treat.

STAR TREK 2 - James Blish

Bantam Books -- pb
New York -- ©1968/11th printing 1972 -- 122p
(so old no ISBN number)


A collection of short stories based on original episodes of the classic television show, Star Trek. Episodes (and their original authors):

Arena (Gene L. Coon)
A Taste of Armageddon (Robert Hamner and Gene L. Coon)
Tomorrow Is Yesterday (D.C. Fontana)
Errand of Mercy (Gene L. Coon)
Court Martial (Don M. Mankiewicz and Steven W. Carabatsos)
Operation--Annihilate! (Steven W. Carabatsos)
City on the Edge of Forever (Harlan Ellison)
Space Seed (Carey Wilber and Gene L. Coon)

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Nostalgia.

Opening this book brings me back to the very first time I read this -- back in the very early 1970's. (This particular copy is the 11th printing and still it has no ISBN number.) Back to a time when I had to rely on the local television station to broadcast old Star Trek episodes in order to watch them. There were no DVDs or even VCR tapes. You couldn't record them (only by audio cassette). So these printed stories were little nuggets of gold to fanatical young Trekkers such as myself.

Reading these now I still get somewhat the same kick. Occassionally Blish embellished his stories with a little more insight into what motivated some of the characters. This is appreciated and enjoyable.

Though perhaps just as often, the stories raced through the plot, leaving out some of the finer details. The retelling of "Space Seed" fits this latter. There seems to be no threat from Khan, but suddenly he has his entire crew aboard the Enterprise and is holding the entire crew hostage and then just as suddenly, Kirk has regained control. The battle between men, between leaders, between centuries, never takes place as it does in the episode.

And while this was enjoyable and I'll probably reread all the books in this series, I'm still more likely to throw a DVD in the machine and watch an episode.

RABBIT HOLE -- David Lindsay-Abaire

Theatre Communications Group -- tpb
New York -- ©2006 -- 157pp
ISBN: 978-1-55936-290-0
Two Act Play
2007 Pulitzer Prize for Drama

A drama of a family grieving and trying to come to terms with life after the accidental death of their four year old son.

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So much anticipation when I started out to read this. So many glowing reviews, a Pulitzer Prize, a very good playwright... and I finished it with a sighed, "Eh."

The writing was crisp, clear. The characters seemed to be real people working through grief in their idividual ways. And that, is what the play is about...how we work through grief, to keep living when a loved one isn't.

Of course the loved one had to be a child. The grief for a child is so much more different than the grief for a parent.

But as I read this, I couldn't help but wonder why I was reading it. Why would I want to see this? I don't think that it explored anything new, or even touched on anything old in a new way.

It was, as many have labeled it, a slice of realism. But why is that important? I can stop in at the local church during a funeral to see realism. I can walk through my home town the day after the flood and experience the realism of grief.

This play didn't do anything for me. Sorry