SERENITY: THOSE LEFT BEHIND -- Joss Whedon & Brett Matthews

Graphic Novel
Dark Horse Books -- tpb
Milwaukie, OR -- ©2006 -- 104pp
ISBN: 1-59307-449-2
art: Will Conrad
colors: Laura Martin
letters: Michael Heisler
front cover art: Adam Hughes

The ragtag crew of Serenity take on a scavenger mission with the hopes of earning enough dough to disappear for a while. Only too late do they realize the whole gig is orchestrated by an old enemy eager remake their acquaintance with the help of some covert-operatives known only as the Blue Gloves.

#####

Having greatly enjoyed the short-lived television series, and having somewhat enjoyed the movie, I was looking forward to another adventure of the Serenity crew, particularly since it was written by the creator and series author, Joss Whedon. Unfortunately, the story is stale and not at all rivetting.

The art is decent, but I was sure expecting much more story and/or character development.

JOHN DILLINGER SLEPT HERE -- Paul Maccabee

Minnesota Historical Society Press -- tpb
St. Paul -- ©1995 -- 362pp
ISBN: 0-87351-316-9

This book is based on more than 100,000 pages of FBI files and wiretaps, prison and police records, and mob confessions. Interviews with 250 crime victims, policemen, gun molls, and family members of criminals bring these public enemies to life. Crime historian Paul Maccabee takes you inside the bank robberies, gangland assassinations, and police intrigue of St. Paul's 1920s and 1930s gangster era. You'll also find Crooks' Tour maps and more than 130 rare FBI, police, and family photographs.

#####

Loaned to me by my uncle, this is not the kind of book that I would ordinarily pick up to read on my own. However, I did find it rather interesting to learn that the Twin Cities of Minneapolis and St. Paul were havens for some of the most notorious underworld figures in history.

I felt that the book was trying hard to find a new angle on reoprting of Minnesota's ganster past, but because of that, it lacked a cohesion that might have kept my interest a little better. Just as I was finding a narrative interesting, it seemed to zoom to the end and then on to another criminal. The "selling point" to the book is the listing of the addresses where certain crimes occurred with the intent that those interested would walk/drive around the Twin Cities to see these locations.

Interesting, but not engaging.

THE SCARECROW AND HIS SERVANT -- Philip Pullman

Alfred A. Knopf -- hc
New York -- ©2004 -- 229pp
ISBN: 0-375-81531-7
illustrated by Peter Bailey
jacket illustration by Kevin Hawkes

After being struck by lightning, a scarecrow, with a turnip for a head, comes alive and proceeds on many fabulous adventures, with an orphaned boy, Jack, as his servant.

#####

This really is a wonderful fairy tale. It has all the good qualities of a classic fairy tale -- imaginative, journeys, adventures, colorful characters, and bad-guys who are obviously bad.

The young boy, Jack, has sense enough to know that everything is quite odd -- what with his master being a turnip-headed scarecrow -- but has the youthful imagination to go along with it.

If there is a down-side to this book, it's that it did get to be a little long. Perhaps one too many adventures for the scarecrow. Did he really need to become a Captain in an army? Did it serve any purpose to the rest of the story, or was it just a further adventure. If anything, I thought the army portion of the story was the least effective, particularly when both the scarecrow and the boy had had negative experiences with soldiers earlier in the book.

Still, not many authors are writing wonderful tales of this sort, and it definitely adds to my respect for Pullman, the author.

A fun romp, worth the read.

THE HISTORIAN -- Elizabeth Kostova

Little, Brown and Company -- ©2005 -- hc
New York -- 642pp
ISBN: 0-316-01177-0
Signed by Elizabeth Kostova

A long history, using academic historians as the principle protagonists, in search of Vlad Dracula and his actual burial place.

#####

The book could have used some trimming or serious editing!

I was engaged with the story in the beginning, and I was caught up again as I approached the last 100+ pages, but the 300+ pages in the middle became a morass of verbiage which did little to nothing to advance the plot, nor did it set mood or location.

Something I've seen only one other reviewer mention is the confusion over who is narrating any particular chapter. Imagine my surprise after a hundred pages, thinking my narrator was a woman (and I'm sure it was when I started), and to suddenly have someone refer to the narrator as "Paul."

I've long enjoyed the Dracula mythology and looked forward to this book. I struggled to stay interested in it, and I'm not sure that my valiance paid off in the end.

This is one book that may actually be served well to have a Reader's Digest Condensed Version.